The Secrets We Kept (2019), by Lara Prescott
What, I wonder, does a reputable book publisher like Knopf do, when they’ve p...
What, I wonder, does a reputable book publisher like Knopf do, when they’ve p...
Now We Shall Be Entirely Free is my first online review of a novel by Englis...
I’ve been having a bit of a binge on the M shelf: nothing to make a serious d...
Manuel C., CC BY-SA 4.0, via Wikimedia Commons. A month ago, Gianni Infantino...
Franz Kafka’s notebook, National Library at Givat Ram, Jerusalem. Public doma...
Mel Bochner, Bochner, Die, 2004, acrylic and oil on canvas, 60 x 80″. Courtes...
No, this isn’t a review of an historical novel. The Bookseller of Florence is...
All those of us who haunt the Op Shops know the feeling… that title that beck...
Fiona Kelly McGregor is, according to her website a cross-disciplinary author...
Uman, Snowfall: winter in Roseboom #4, 2016–2020 (detail). The Paris Review‘s...
From Mary Manning’s portfolio Ciao! in issue no. 242. The sadness of thinking...
Illustration by Na Kim. In the new Winter issue of The Paris Review, Belinda ...
Ernst Jünger (second from right), via Wikimedia Commons, licensed under CC BY...
Kim Mahood is one of our most interesting thinkers about the interface betwee...
After his foray into coastal Victoria in The Fifth Season, (2020, click here ...
As a new member of the Review’s team, it gives me great pleasure to bring yo...